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  3. Vol. 4 No. 8 (2025): August, Creative Saplings

Vol. 4 No. 8 (2025): August, Creative Saplings

					View Vol. 4 No. 8 (2025): August, Creative Saplings
Published: 2025-08-25

Articles

  • Fragmentation and Black Consciousness in Amiri Baraka’s The System of Dante’s Hell

    Rakhpreet Kaur Walia
    1-11
    • Full Article
  • The Portrayal of Subjective Anguish, Forfeiture, Veracity, Affection and Conviction in Namita Gokhale’s The Book of Shadows

    Kamalakar Baburao Gaikwad
    12-24
    • Full Article
  • Child Marriage As A Major Concern in Pashto Poetry

    Ahmad Gul Momand, Zabihullah Fikry, Mohammad Qaseem Kashaf
    25-35
    • Full Article
  • Exploring Mindscape and Landscape in Margaret Atwood’s Surfacing

    Riku Panigrahi, Hitkaran Singh Ranawat
    36-47
    • Full Article
  • Popular Culture and the Nigerian Filmic Space: The Efficacy-Entertainment Braid

    Bassey Ekpenyong Bassey
    48-70
    • Full Article
  • Spiritual & Literary Perspectives in the Poetry of Kabir Das and Swami Vivekanand: A Critical Exploration

    Ankita Mishra
    71-82
    • Full Article
  • Myth as Philosophy: A Philosophical Study of How Indian and South Asian Myths Encode Worldviews, Ethics, and Cosmology

    Reshu Shukla
    83-108
    • Full Article

Poetry

  • Society Benchmark

    Nitika Khanna
    1-2
    • Full Poem
  • Death- The Deliverer

    R Evangeline Subha
    3-3
    • Full Poem
  • Divine Nature, The Death & Ideal Beauty

    Agnij Upmanyu
    4-6
    • Full Poem

Reviews

  • Teri Baato Mein Aisa Ulajha Jiya (Movie review)

    Vijay Songire
    1-2
    • Full Review
  • Dipak Giri’s Indian Diaspora Literature: A Critical Evaluation (Book review)

    Juveria Fatima
    3-5
    • Full Review

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Publisher: 

(SAFE), Society For Academic Facilitation and Extension (Regd.)
Address: 53, Karamchari Nagar, Bareilly 243112 (UP) India
Email: editor@creativesaplings.in,  editor.creativesaplings22@gmail.com, safeindiaweb@gmail.com
Website: safeindia.org.in

Creative Commons License
This work is licensed under Creative Commons Attribution-NonCommercial 4.0 International License.

 

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